Driftwood Dreaming
Re: Driftwood Dreaming
Everyone will have a different opinion Kym. At the first reading I thought I would have liked another verse with the sea in it rather than the driftwood - or leave it off and have the second last stanza as the conclusion.
However, reading it again I think having a different tone to the last stanza grabs the reader's attention, which is something you want for a conclusion. I think it is good as is and has a haunting tone to it.
Heather
However, reading it again I think having a different tone to the last stanza grabs the reader's attention, which is something you want for a conclusion. I think it is good as is and has a haunting tone to it.
Heather
- Maureen K Clifford
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Re: Driftwood Dreaming
Didn't bother me at all Kym - I liked it - thought it a great ending actually
Cheers
Maureen
Cheers
Maureen
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Re: Driftwood Dreaming
g'day Kym,
A true craftperson.
You have tremendous talent,Kym.
John
A true craftperson.
You have tremendous talent,Kym.
John
Re: Driftwood Dreaming
Thanks everyone for your opinions. It doesn't sound as though anyone was bothered by it, so I think I'll leave it how it is. I like it being different, it gives it an unfinished feeling (cos the poor bloke's doomed to wandering the beach forever).
Thanks again,
Kym.
Thanks again,
Kym.
Re: Driftwood Dreaming
Brilliant Kym & love the last verse, it really is a superb ending.
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Re: Driftwood Dreaming
I thought it was very well done Kym. There's no law handed down from a sacred mountain that requires every line to have the same metric structure. I wish some of our bush poet judges would accept that.
Though I think that if variations like trochaic substitutions are used they should be carefully considered and placed for a required effect i.e. emphasis. ( that's not a criticism of yours, just a general remark ) Variations can iven up the poetry, save it from becoming a sort of tedious drum beat .
In the end I suppose it depends on what you are writing and what suits the mood and theme. I think yours suits the mood and theme very well.
Neville
Though I think that if variations like trochaic substitutions are used they should be carefully considered and placed for a required effect i.e. emphasis. ( that's not a criticism of yours, just a general remark ) Variations can iven up the poetry, save it from becoming a sort of tedious drum beat .
In the end I suppose it depends on what you are writing and what suits the mood and theme. I think yours suits the mood and theme very well.
Neville
Neville
" Prose is description, poetry is presence " Les Murray.
" Prose is description, poetry is presence " Les Murray.
- Irene
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Re: Driftwood Dreaming
Hi KYm
There's not much to say about this poem, except 'an absolutely brilliant piece of work!!!'
The difference in the last stanza was not out of place at all.
Loved it!!
Catchya
IRene
There's not much to say about this poem, except 'an absolutely brilliant piece of work!!!'
The difference in the last stanza was not out of place at all.
Loved it!!
Catchya
IRene
What goes around, comes around.
- Zondrae
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Re: Driftwood Dreaming
G'day Kym,
I have been looking at several of 'the Masters' while preparing for this Summer School. Have you ever noticed the way CJ Dennis has laid out 'A Song of Rain'? It has alternating stanzas of different patterns. and if you have 'looked at' (rather than read or listened to,) Lawson's 'Faces In The Street', it has seven lines in each stanza and line five and six are exceedingly short. (naturally in both cases every stanza is the same) And my copy of 'Clancy' has a row of stars in two places directing the action from the bush to the city and back again.
What I am saying is..... it is your baby, dress it as you want it dressed and hope everyone in the future uses Joe's interpritation of 'coypright' and does just that - copy it right (as written)
I have been looking at several of 'the Masters' while preparing for this Summer School. Have you ever noticed the way CJ Dennis has laid out 'A Song of Rain'? It has alternating stanzas of different patterns. and if you have 'looked at' (rather than read or listened to,) Lawson's 'Faces In The Street', it has seven lines in each stanza and line five and six are exceedingly short. (naturally in both cases every stanza is the same) And my copy of 'Clancy' has a row of stars in two places directing the action from the bush to the city and back again.
What I am saying is..... it is your baby, dress it as you want it dressed and hope everyone in the future uses Joe's interpritation of 'coypright' and does just that - copy it right (as written)
Zondrae King
a woman of words
a woman of words
- Bellobazza
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Re: Driftwood Dreaming
G'day Kym...
Apart from simply enjoying the poem for itself, I would award you one of those gold star thingies that used to be available on the "old" site if I could. It's terrific to see contributors like yourself, Mad Mick, Hully and others offering variations from the "formulaic". The "change-up" in the last stanza is very effective in my opinion.
Cheers, Will.
Apart from simply enjoying the poem for itself, I would award you one of those gold star thingies that used to be available on the "old" site if I could. It's terrific to see contributors like yourself, Mad Mick, Hully and others offering variations from the "formulaic". The "change-up" in the last stanza is very effective in my opinion.
Cheers, Will.
"Each poet that I know (he said)
has something funny in his head..." CJD
has something funny in his head..." CJD
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Re: Driftwood Dreaming
Always pleasant to read one of Kym's poems.
Merv.
Merv.
Some days your the pidgeon and other days the statue.